《爱的艺术》作者:弗洛姆_第44頁
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ary to the fundamental fact that two people experience themselves from the essence of their existence, that they are one with each other by being one with themselves, rather than by fleeing from themselves. There is only one proof for the presence of love: the depth of the relationship, and the aliveness and strength in each person concerned; this is the fruit by which love is recognized.
  Just as automatons cannot love each other they cannot love God. The disintegration of the love of God has reached the same proportions as the disintegration of the love of man. This fact is in blatant contradiction to the idea that we are witnessing a religious renaissance in this epoch. Nothing could be further from the truth. What we witness (even though there are exceptions) is a regression to an idolatric concept of God, and a transformation of the love of God into a relationship fitting an alienated character structure. The regression to an idolatric concept of God is easy to see. People are anxious, without principles or faith, they find themselves without an aim except the one to move ahead; hence they continue to remain children, to hope for father or mother to come to their help when help is needed.
  True, in religious cultures, like that of the Middle Ages, the average man also looked at God as to a helping father and mother. But at the same time he took God seriously also, in the sense that the paramount goal of his life was to live according to God’s principles, to make “salvation” the supreme concern to which all other activities were subordinated. Today, nothing of such effort is present. Daily life is strictly separated from any religious values. It is devoted to the striving for material comforts, and for success on the personality market. The principles on which our secular efforts are built are those of indifference and egotism (the latter often labeled as “individualism” or “individual initiative”). Man of truly religious cultures may be compared with children at the age of eight, who need father as a helper, but who begin to adopt his teachings and principles in their lives. Contemporary man is rather like a child of three, who cries for father when he needs him, and otherwise is quite self- sufficient when he can play.
  In this respect, in the infantile dependence on an anthropomorphic picture of God without the transformation of life according to the principles of God, we are closer to a primitive idolatric tribe than to the religious culture of the Middle Ages. In another respect our religious situation shows features which are new, and characteristic only of contemporary Western capitalistic society. I can refer to statements made in a previous part of this book. Modern man has transformed himself into a commodity; he experiences his life energy as an investment with which he should make the highest profit, considering his position and the situation on the personality market. He is alienated from himself, from his fellow men and from nature. His main aim is profitable exchange of his skills, knowledge, and of himself, his “personality package” with others who are equally intent on a fair and profitable exchange. Life has no goal except the one to move, no principle except the one of fair exchange, no satisfaction except the one to consume.
  What can the concept of God mean under these circumstances? It is transformed from its original religious meaning into one fitting the alienated culture of success. In the religious revival of recent times, the belief in God has been transformed into a psychological device to make one better fitted for the competitive struggle.※※文※檔※共※享※與※在※線※閱※讀※
  Religion allies itself with auto-suggestion and psychotherapy to help man in his business activities. In the twenties one had not yet called upon God for purposes of “improving one’s personality.” The best-seller in the year 1938, Dale Carnegie’s How to Win Friends and Influence People, remained on a strictly secular level. What was the function o
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