《爱的艺术》作者:弗洛姆_第37頁
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statement: “Everybody is happy nowadays.” Man’s happiness today consists in “having fun.” Having fun lies in the satisfaction of consuming and “taking in” commodities, sights, food, drinks, cigarettes, people, lectures, books, movies—all are consumed, swallowed. The world is one great object for our appetite, a big apple, a big bottle, a big breast; we are the sucklers, the eternally expectant ones, the hopeful ones—and the eternally disappointed ones. Our character is geared to exchange and to receive, to barter and to consume; everything, spiritual as well as material objects, becomes an object of exchange and of consumption.
  The situation as far as love is concerned corresponds, as it has to by necessity, to this social character of modern man. Automatons cannot love; they can exchange their “personality packages” and hope for a fair bargain. One of the most significant expressions of love, and especially of marriage with this alienated structure, is the idea of the “team.” In any number of articles on happy marriage, the ideal described is that of the smoothly functioning team. This description is not too different from the idea of a smoothly functioning employee; he should be “reasonably independent,” co-operative, tolerant, and at the same time ambitious and aggressive. Thus, the marriage counselor tells us, the husband should “understand” his wife and be helpful. He should comment favorably on her new dress, and on a tasty dish. She, in turn, should understand when he comes home tired and disgruntled, she should listen attentively when he talks about his business troubles, should not be angry but understanding when he forgets her birthday. All this kind of relationship amounts to is the well-oiled relationship between two persons who remain strangers all their lives, who never arrive at a “central relationship,” but who treat each other with courtesy and who attempt to make each other feel better.
  In this concept of love and marriage the main emphasis is on finding a refuge from an otherwise unbearable sense of aloneness. In “love” one has found, at last, a haven from aloneness. One forms an alliance of two against the world, and this egoism a deux is mistaken for love and intimacy.
  The emphasis on team spirit, mutual tolerance and so forth is a relatively recent development. It was preceded, in the years after the First World War, by a concept of love in which mutual sexual satisfaction was supposed to be the basis for satisfactory love relations, and especially for a happy marriage. It was believed that the reasons for the frequent unhappiness in marriage were to be found in that the marriage partners had not made a correct “sexual adjustment”; the reason for this fault was seen in the ignorance regarding “correct” sexual behavior, hence in the faulty sexual technique of one or both partners. In order to “cure” this fault, and to help the unfortunate couples who could not love each other, many books gave instructions and counsel concerning the correct sexual behavior, and promised implicitly or explicitly that happiness and love would follow. The underlying idea was that love is the child of sexual pleasure, and that if two people learn how to satisfy each other sexually, they will love each other. It fitted the general illusion of the time to assume that using the right techniques is the solution not only to technical problems of industrial production, but of all human problems as well. One ignored the fact that the contrary of the underlying assumption is true.
  Love is not the result of adequate sexual satisfaction, but sexual happiness—even the knowledge of the so-called sexual technique—is the result of love. If aside from everyday observation this thesis needed to be proved, such proof can be found in ample material of psychoanalytic data. The study of the most frequent sexual problems—frigidity in women, and the more or less severe forms of psychic impotence in men—shows that the cause does not lie⑤⑤文⑤檔⑤共⑤享⑤與⑤在⑤線⑤閱⑤讀⑤
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